Film Audiences

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American Movie Audiences

American Movie Audiences
Author :
Publisher : British Film Institute
Total Pages : 202
Release :
ISBN-10 : UOM:39015048924180
ISBN-13 :
Rating : 4/5 ( Downloads)
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Book Synopsis American Movie Audiences by : Melvyn Stokes

Download or read book American Movie Audiences written by Melvyn Stokes and published by British Film Institute. This book was released on 1999-04 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: No Marketing Blurb


American Movie Audiences Related Books

American Movie Audiences
Language: en
Pages: 202

American Movie Audiences

Authors: Melvyn Stokes
Categories: Juvenile Nonfiction
Type: BOOK - Published: 1999-04 - Publisher: British Film Institute

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Film audiences
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Authors: Bridgette Wessels
Categories: Performing Arts
Type: BOOK - Published: 2022-12-20 - Publisher: Manchester University Press

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Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and d
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Authors: Ian Christie
Categories: Art
Type: BOOK - Published: 2012 - Publisher: Amsterdam University Press

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"This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historicall
Cinema, Audiences and Modernity
Language: en
Pages: 226

Cinema, Audiences and Modernity

Authors: Daniel Biltereyst
Categories: History
Type: BOOK - Published: 2013-03 - Publisher: Routledge

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This book confronts theoretical models on cinema as both a product and a catalyst of European modernity with new empirical work on the history of the social exp
Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963
Language: en
Pages: 167

Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963

Authors: Samson Kaunga Ndanyi
Categories: History
Type: BOOK - Published: 2022-03-14 - Publisher: Rowman & Littlefield

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In Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963, the author argues against the colonial logic instigating that films made for Afric