Language In The Visual Arts
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This revised, second edition develops the creative principles established in the first edition, building particularly on three-dimensional forms, featuring a la
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"... the details of Saint-Martin's argument contain a wealth of penetrating observations from which anyone with a serious interest in visual communication will
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Pages: 328
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Drawing on his background as a linguist, O'Toole analyses in detail a number of major works of art to show how the semiotic approach relates a work's immediate
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