Magic Realism In World Cinema

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Magic Realism, World Cinema, and the Avant-Garde

Magic Realism, World Cinema, and the Avant-Garde
Author :
Publisher : Routledge
Total Pages : 248
Release :
ISBN-10 : 9781315312798
ISBN-13 : 1315312794
Rating : 4/5 (794 Downloads)

Book Synopsis Magic Realism, World Cinema, and the Avant-Garde by : Felicity Gee

Download or read book Magic Realism, World Cinema, and the Avant-Garde written by Felicity Gee and published by Routledge. This book was released on 2021-04-19 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy.


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On magical realism in literature
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World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its