Music In European Capitals
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Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Vien
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Reveals how the Holy Roman Empire's cultural networks c. 1800 underpinned the transnational spread of music for the German-language stage.
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This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival docume