Popular Songs Of Nineteenth Century America

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The Voices that are Gone

The Voices that are Gone
Author :
Publisher : Oxford University Press, USA
Total Pages : 367
Release :
ISBN-10 : 9780195113822
ISBN-13 : 0195113829
Rating : 4/5 (829 Downloads)

Book Synopsis The Voices that are Gone by : Jon W. Finson

Download or read book The Voices that are Gone written by Jon W. Finson and published by Oxford University Press, USA. This book was released on 1994 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.


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The Voices that are Gone
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Type: BOOK - Published: 1994 - Publisher: Oxford University Press, USA

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In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets
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Music was everywhere during the Civil War. Tunes could be heard ringing out from parlor pianos, thundering at political rallies, and setting the rhythms of mili
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Street Ballads in Nineteenth-Century Britain, Ireland, and North America
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In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ -