Roger Sessions On Music

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Musical Experience of Composer, Performer, Listener

Musical Experience of Composer, Performer, Listener
Author :
Publisher : Princeton University Press
Total Pages : 134
Release :
ISBN-10 : 9781400871049
ISBN-13 : 1400871042
Rating : 4/5 (042 Downloads)

Book Synopsis Musical Experience of Composer, Performer, Listener by : Roger Sessions

Download or read book Musical Experience of Composer, Performer, Listener written by Roger Sessions and published by Princeton University Press. This book was released on 2015-03-08 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of America's foremost contemporary composers, professor of music at the University of California, Roger Sessions here discusses the musical experience of the composer, the performer, the listener. He believes this experience to be shared, on in which all three participants play vital roles, and in this book he speaks especially to the listener. Mr. Sessions finds that the artist-public relationships has been shifted to that of producer and consumer in big business. But his reply to his own question about a threat to the future of music is both a challenge and an expression of hope. A fascinating little book that will be read with pleasure by people at all levels of musical education. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


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Language: en
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Type: BOOK - Published: 2015-03-08 - Publisher: Princeton University Press

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On traditional harmony, with over 800 exercises.
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Over the past fifty years Roger Sessions has developed, in articles, lectures, and addresses, various themes that reflect the stages of his own musical and inte
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Music, we are often told, is a language. But if music is a language, then who is speaking? The Composer's Voice tries to answer this obvious but infrequently ra