We Will Be Citizens The Notion Of Citizenship In Tony Kushners Angels In America And Larry Kramers The Normal Heart

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Mainstream AIDS Theatre, the Media, and Gay Civil Rights

Mainstream AIDS Theatre, the Media, and Gay Civil Rights
Author :
Publisher : Routledge
Total Pages : 210
Release :
ISBN-10 : 9781317376507
ISBN-13 : 1317376501
Rating : 4/5 (501 Downloads)

Book Synopsis Mainstream AIDS Theatre, the Media, and Gay Civil Rights by : Jacob Juntunen

Download or read book Mainstream AIDS Theatre, the Media, and Gay Civil Rights written by Jacob Juntunen and published by Routledge. This book was released on 2016-01-29 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre’s political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period—Larry Kramer’s The Normal Heart (1985), Tony Kushner’s Angels in America (1992), Jonathan Larson’s Rent (1996), and Moises Kaufman’s The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society’s ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study—such as the theaters’ locations, architectures, merchandise, program notes, and advertising—creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century.


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