Critical Perspectives On Applied Theatre

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Critical Perspectives on Applied Theatre

Critical Perspectives on Applied Theatre
Author :
Publisher : Cambridge University Press
Total Pages : 293
Release :
ISBN-10 : 9781316589199
ISBN-13 : 1316589196
Rating : 4/5 (196 Downloads)

Book Synopsis Critical Perspectives on Applied Theatre by : Jenny Hughes

Download or read book Critical Perspectives on Applied Theatre written by Jenny Hughes and published by Cambridge University Press. This book was released on 2016-04-11 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the twenty-first century moves towards its third decade, applied theatre is being shaped by contemporary economic and environmental concerns and is contributing to new conceptual paradigms that influence the ways in which socially engaged art is produced and understood. This collection offers fresh perspectives on the aesthetics, politics and histories of applied theatre. With contributions from leading scholars in the field, the book illuminates theatre in a diverse range of global contexts and regions. Divided into three sections - histories and cultural memories; place, community and environment; and poetics and participation - the chapters interweave cutting-edge theoretical insights with examples of innovative creative practice that traverse different places, spaces and times. Essential reading for researchers and artists working within applied theatre, this collection will also be of interest to those in theatre and performance studies, education, cultural policy, social history and cultural geography.


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Critical Perspectives on Applied Theatre
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Authors: Jenny Hughes
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Type: BOOK - Published: 2016-04-11 - Publisher: Cambridge University Press

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As the twenty-first century moves towards its third decade, applied theatre is being shaped by contemporary economic and environmental concerns and is contribut
Critical Perspectives on Applied Theatre
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What is 'performance'? What are the boundaries of Performance Studies? How do we talk about contemporary performance practices today in simple but probing terms