Imperial Paris Including New Scenes For Old Visitors

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British Writers and Paris: 1830-1875

British Writers and Paris: 1830-1875
Author :
Publisher : Oxford University Press
Total Pages : 342
Release :
ISBN-10 : 9780191074745
ISBN-13 : 0191074748
Rating : 4/5 (748 Downloads)

Book Synopsis British Writers and Paris: 1830-1875 by : Elisabeth Jay

Download or read book British Writers and Paris: 1830-1875 written by Elisabeth Jay and published by Oxford University Press. This book was released on 2016-02-19 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'A wicked and detestable place, though wonderfully attractive': Charles Dickens's conflicted feelings about Paris typify the fascination and repulsion with which a host of mid-nineteenth-century British writers viewed their nearest foreign capital. Variously perceived as the showcase for sophisticated, cosmopolitan talent, the home of revolution, a stronghold of Roman Catholicism, and a shrine to irreligious hedonism, Paris was also a city where writers were respected and journalism flourished. This historically-grounded account of the ways in which Paris touched the careers and work of both major and minor Victorian writers considers both their actual experiences of an urban environment, distinctively different from anything Britain offered, and the extent to which this became absorbed and expressed within the Victorian imaginary. Casting a wide literary net, the first part of this book explores these writers' reaction to the swiftly changing politics and topography of Paris, before considering the nature of their social interactions with the Parisians, through networks provided by institutions such as the British Embassy and the salons. The second part of the book examines the significance of Paris for mid-nineteenth-century Anglophone journalists., paying particular attention to the ways in which the young Thackeray's exposure to Parisian print culture shaped him as both writer and artist. The final part focuses on fictional representations of Paris, revealing the frequency with which they relied upon previous literary sources, and how the surprisingly narrow palette of subgenres, structures and characters they employed contributed to the characteristic, and sometimes contradictory, prejudices of a swiftly-growing British readership.


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