Osip Mandelstam And The Modernist Creation Of Tradition

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Osip Mandelstam and the Modernist Creation of Tradition

Osip Mandelstam and the Modernist Creation of Tradition
Author :
Publisher : Princeton University Press
Total Pages : 380
Release :
ISBN-10 : 9781400821495
ISBN-13 : 1400821495
Rating : 4/5 (495 Downloads)

Book Synopsis Osip Mandelstam and the Modernist Creation of Tradition by : Clare Cavanagh

Download or read book Osip Mandelstam and the Modernist Creation of Tradition written by Clare Cavanagh and published by Princeton University Press. This book was released on 1994-11-14 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: If modernism marked, as some critics claim, an "apocalypse of cultural community," then Osip Mandelstam (1891-1938) must rank among its most representative figures. Born to Central European Jews in Warsaw on the cusp of the modern age, he could claim neither Russian nor European traditions as his birthright. Describing the poetic movement he helped to found, Acmeism, as a "yearning for world culture," he defined the impulse that charges his own poetry and prose. Clare Cavanagh has written a sustained study placing Mandelstam's "remembrance and invention" of a usable poetic past in the context of modernist writing in general, with particular attention to the work of T. S. Eliot and Ezra Pound. Cavanagh traces Mandelstam’s creation of tradition from his earliest lyrics to his last verses, written shortly before his arrest and subsequent death in a Stalinist camp. Her work shows how the poet, generalizing from his own dilemmas and disruptions, addressed his epoch’s paradoxical legacy of disinheritance--and how he responded to this unwelcome legacy with one of modernism’s most complex, ambitious, and challenging visions of tradition. Drawing on not only Russian and Western modernist writing and theory, but also modern European Jewish culture, Russian religious thought, postrevolutionary politics, and even silent film, Cavanagh traces Mandelstam’s recovery of a "world culture" vital, vast, and varied enough to satisfy the desires of the quintessential outcast modernist.


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Rightly appreciated as a 'poet's poet', Mandelstam has been habitually read as a repository of learned allusion. Yet as Seamus Heaney observed, his work is 'as