Peking Opera

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Tsui Hark's Peking Opera Blues

Tsui Hark's Peking Opera Blues
Author :
Publisher : Hong Kong University Press
Total Pages : 248
Release :
ISBN-10 : 9789888208869
ISBN-13 : 9888208861
Rating : 4/5 (861 Downloads)

Book Synopsis Tsui Hark's Peking Opera Blues by : Tan See Kam

Download or read book Tsui Hark's Peking Opera Blues written by Tan See Kam and published by Hong Kong University Press. This book was released on 2016-05-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part historical drama, part thriller, and part comedy, Tsui Hark's Peking Opera Blues (1986) invites--if not demands--examinations from multiple perspectives. Tan See Kam rises to the challenge in this study by first situating Tsui in a Sinophone context. The diasporic director explores different dimensions of "Chineseness" in the film by depicting competing versions of Chinese nationalism and presenting characters speaking two Chinese languages, Cantonese and Mandarin. In the process he compels viewers to recognize the multiplicities of the Chinese identity and rethink what constitutes cultural Chineseness. The challenge to a single definition of "Chinese" is also embodied by the playful pastiches of diverse materials. In a series of intertextual readings, Tan reveals the full complexity of Peking Opera Blues by placing it at the center of a web of texts consisting of Tsui's earlier film Shanghai Blues (1984), Hong Kong's Mandarin Canto-pop songs, the "three-women" films in Chinese-language cinemas, and of course, traditional Peking opera, whose role-types, makeup, and dress code enrich the meaning of the film. In Tan's portrayal, Tsui Hark is a filmmaker who makes masterly use of postmodernist techniques to address postcolonial concerns. More than a quarter of a century after its release, Tan shows, Peking Opera Blues still reverberates in the present time.


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Type: BOOK - Published: 2016-05-01 - Publisher: Hong Kong University Press

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Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican er