Shakespeares Dramatic Transactions

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Shakespeare's Dramatic Transactions

Shakespeare's Dramatic Transactions
Author :
Publisher : Duke University Press
Total Pages : 246
Release :
ISBN-10 : 9780822382836
ISBN-13 : 0822382830
Rating : 4/5 (830 Downloads)

Book Synopsis Shakespeare's Dramatic Transactions by : Michael Mooney

Download or read book Shakespeare's Dramatic Transactions written by Michael Mooney and published by Duke University Press. This book was released on 1991-07-31 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare’s Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of “mimesis” and “representation,” this book describes how the actor’s stage presentation affects the actor’s representational role and the ways in which viewers experience Shakespearean tragedy. Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition—the correlation between an actor’s stage location and the speech, action, and stylization associated with that position—to understand the actor/stage location relationship in Shakespeare’s plays. In his examination of the original staging of Shakespeare’s tragedies, Mooney looks at the traditional interplay between a downstage “place” and upstage “location” to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art. The innovative and insightful approach of Shakespeare’s Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney’s compelling argument enhances our understanding of Shakespeare and the theater.


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