The Architecture Of Desire

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Marcel Duchamp and the Architecture of Desire

Marcel Duchamp and the Architecture of Desire
Author :
Publisher : Routledge
Total Pages : 1154
Release :
ISBN-10 : 9781351919999
ISBN-13 : 1351919997
Rating : 4/5 (997 Downloads)

Book Synopsis Marcel Duchamp and the Architecture of Desire by : Penelope Haralambidou

Download or read book Marcel Duchamp and the Architecture of Desire written by Penelope Haralambidou and published by Routledge. This book was released on 2017-03-02 with total page 1154 pages. Available in PDF, EPUB and Kindle. Book excerpt: While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller + Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp’s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.


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