The Complete Catalogue Of Known And Documented Work By William Merritt Chase 1849 1916

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The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916)

The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916)
Author :
Publisher : Yale University Press
Total Pages : 180
Release :
ISBN-10 : 9780300109962
ISBN-13 : 0300109962
Rating : 4/5 (962 Downloads)

Book Synopsis The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916) by : Ronald G. Pisano

Download or read book The Complete Catalogue of Known and Documented Work by William Merritt Chase (1849-1916) written by Ronald G. Pisano and published by Yale University Press. This book was released on 2006-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique.


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