Theology Music And Modernity

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Theology, Music, and Modernity

Theology, Music, and Modernity
Author :
Publisher :
Total Pages : 398
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ISBN-10 : 9780198846550
ISBN-13 : 019884655X
Rating : 4/5 (55X Downloads)

Book Synopsis Theology, Music, and Modernity by : Jeremy Begbie

Download or read book Theology, Music, and Modernity written by Jeremy Begbie and published by . This book was released on 2021 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period--the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.


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Jeremy Begbie explores how the practices of music and the discourses it has generated bear witness to some of the pivotal theological currents and counter-curre
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Taking as his starting point the collapse of the medieval world, Gillespie argues that from the very beginning moderns sought not to eliminate religion but to s