Transatlantic Modernism

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Bodies of Modernism

Bodies of Modernism
Author :
Publisher : University of Michigan Press
Total Pages : 269
Release :
ISBN-10 : 9780472053315
ISBN-13 : 0472053310
Rating : 4/5 (310 Downloads)

Book Synopsis Bodies of Modernism by : Maren Linett

Download or read book Bodies of Modernism written by Maren Linett and published by University of Michigan Press. This book was released on 2017 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the links, both positive and negative, between disabled bodies and aspects of modernism and modernity through readings of a wide range of literary texts


Bodies of Modernism Related Books

Bodies of Modernism
Language: en
Pages: 269
Authors: Maren Linett
Categories: Literary Criticism
Type: BOOK - Published: 2017 - Publisher: University of Michigan Press

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Reveals the links, both positive and negative, between disabled bodies and aspects of modernism and modernity through readings of a wide range of literary texts
Transatlantic Modernism and the US Lecture Tour
Language: en
Pages: 231
Authors: Robert Volpicelli
Categories: Literary Collections
Type: BOOK - Published: 2021 - Publisher: Oxford University Press

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Many Americans' first encounter with international modernism came, not on the page, but in person--through the widespread phenomenon of the US lecture tour. Att
Transatlantic Modernism
Language: en
Pages: 264
Authors: Martin Halliwell
Categories: Ethics in literature
Type: BOOK - Published: 2006 - Publisher:

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Modernism and Morality
Language: en
Pages: 266
Authors: M. Halliwell
Categories: Fiction
Type: BOOK - Published: 2001-09-12 - Publisher: Springer

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Modernism and Morality discusses the relationship between artistic and moral ideas in European and American literary modernism. Rather than reading modernism as
Primitivist Modernism
Language: en
Pages: 192
Authors: Sieglinde Lemke
Categories: African American arts
Type: BOOK - Published: 1998 - Publisher: Oxford University Press, USA

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Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that