Architecture And The Late Ottoman Historical Imaginary

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Architecture and the Late Ottoman Historical Imaginary

Architecture and the Late Ottoman Historical Imaginary
Author :
Publisher : Routledge
Total Pages : 334
Release :
ISBN-10 : 9781351576017
ISBN-13 : 1351576011
Rating : 4/5 (011 Downloads)

Book Synopsis Architecture and the Late Ottoman Historical Imaginary by : AhmetA. Ersoy

Download or read book Architecture and the Late Ottoman Historical Imaginary written by AhmetA. Ersoy and published by Routledge. This book was released on 2017-07-05 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.


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