British Avant Garde Fiction Of The 1960s

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British Avant-Garde Fiction of the 1960s

British Avant-Garde Fiction of the 1960s
Author :
Publisher : Edinburgh University Press
Total Pages : 305
Release :
ISBN-10 : 9781474436229
ISBN-13 : 1474436226
Rating : 4/5 (226 Downloads)

Book Synopsis British Avant-Garde Fiction of the 1960s by : Mitchell Kaye Mitchell

Download or read book British Avant-Garde Fiction of the 1960s written by Mitchell Kaye Mitchell and published by Edinburgh University Press. This book was released on 2019-01-22 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial - and crucially overlooked - period of British literary history. Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed - and that the avant-garde fiction produced then rewards our renewed attention to it. Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays - each presents one author in their cultural/critical/historical contexts - by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally


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