Curiosity And The Aesthetics Of Travel Writing 1770 1840

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Curiosity and the Aesthetics of Travel-Writing, 1770-1840

Curiosity and the Aesthetics of Travel-Writing, 1770-1840
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Publisher : Oxford University Press on Demand
Total Pages : 338
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ISBN-10 : 0199269300
ISBN-13 : 9780199269303
Rating : 4/5 (303 Downloads)

Book Synopsis Curiosity and the Aesthetics of Travel-Writing, 1770-1840 by : Nigel Leask

Download or read book Curiosity and the Aesthetics of Travel-Writing, 1770-1840 written by Nigel Leask and published by Oxford University Press on Demand. This book was released on 2004 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The decades between 1770 and 1840 are rich in exotic accounts of the ruin-strewn landscapes of Ethiopia, Egypt, India, and Mexico. Yet it is a field which has been neglected by scholars and which - unjustifiably - remains outside the literary canon. In this pioneering book, Nigel Leask studies the Romantic obsession with these 'antique lands', drawing generously on a wide range of eighteenth and nineteenth-century travel books, as well as on recent scholarship in literature, history, geography, and anthropology. Viewing the texts primarily as literary works rather than 'transparent' adventure stories or documentary sources, he sets out to challenge the tendency in modern academic work to overemphasize the authoritative character of colonial discourse. Instead, he addresses the relationship between narrative, aesthetics, and colonialism through the unstable discourse of antiquarianism, exploring the effects of problems of credit worthiness, and the nebulous epistemological claims of 'curiosity' (a leitmotif of the accounts studied here), on the contemporary status of travel writing. Attentive to the often divergent idioms of elite and popular exoticism, Curiosity and the Aesthetics of Travel Writing plots the transformation of the travelogue through the period, as the baroque particularism of curiosity was challenged by picturesque aesthetics, systematic 'geographical narrative', and the emergence of a 'transcendental self' axiomatic to Romantic culture. In so doing it offers an important reformulation of the relations between literature, aesthetics, and empire in the late Enlightenment and Romantic periods.


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