Fictional Representations Of Unethical Journalistic Practices In Graham Greenes Work

Download Fictional Representations Of Unethical Journalistic Practices In Graham Greenes Work full books in PDF, epub, and Kindle. Read online free Fictional Representations Of Unethical Journalistic Practices In Graham Greenes Work ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!

Fictional Representations of (Un)ethical Journalistic Practices in Graham Greene’s Work

Fictional Representations of (Un)ethical Journalistic Practices in Graham Greene’s Work
Author :
Publisher : Taylor & Francis
Total Pages : 205
Release :
ISBN-10 : 9781040263068
ISBN-13 : 1040263062
Rating : 4/5 (062 Downloads)

Book Synopsis Fictional Representations of (Un)ethical Journalistic Practices in Graham Greene’s Work by : Beatriz Valverde

Download or read book Fictional Representations of (Un)ethical Journalistic Practices in Graham Greene’s Work written by Beatriz Valverde and published by Taylor & Francis. This book was released on 2024-12-13 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: British author Graham Greene pursued a professional career as a journalist before becoming a full-time writer. After that, he continued taking on reporting assignments as a correspondent for a variety of publications. Greene knew the profession inside out, and the role of the media in shaping the public’s views through information gathering and dissemination—a topic insufficiently researched by criticism—was among his main concerns. Greene’s fictional work features an array of journalists, and the representation of (un)ethical practices of the profession is a constant reference in his narrative. In this book, I intend to fill this research gap in Greenean studies, focusing on three main topics: the author’s reflection on the journalistic practice in connection with the classic paradigm of objectivity versus empathy; his questioning of the misuse of power when gathering and disseminating information by journalists, editors and news corporation owners; and finally, the relationship between journalists and their readership’s expectations, as well as the importance of fostering critical readers that make informed trustworthy decisions regarding journalism performance.


Fictional Representations of (Un)ethical Journalistic Practices in Graham Greene’s Work Related Books

Fictional Representations of (Un)ethical Journalistic Practices in Graham Greene’s Work
Language: en
Pages: 205
Authors: Beatriz Valverde
Categories: Literary Criticism
Type: BOOK - Published: 2024-12-13 - Publisher: Taylor & Francis

DOWNLOAD EBOOK

British author Graham Greene pursued a professional career as a journalist before becoming a full-time writer. After that, he continued taking on reporting assi
Rejection of Victimhood in Literature
Language: en
Pages: 214
Authors: Sean James Bosman
Categories: Literary Criticism
Type: BOOK - Published: 2021-08-30 - Publisher: BRILL

DOWNLOAD EBOOK

Transnational writers are increasingly opposed to representations of refugees, exiles, migrants, and their descendants as emblematic victims. With the rise of p
YouTube
Language: en
Pages: 186
Authors: Jean Burgess
Categories: Social Science
Type: BOOK - Published: 2013-04-16 - Publisher: John Wiley & Sons

DOWNLOAD EBOOK

YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely ma
Art, Emotion and Ethics
Language: en
Pages: 280
Authors: Berys Gaut
Categories: Art
Type: BOOK - Published: 2007-05-24 - Publisher: Oxford University Press

DOWNLOAD EBOOK

Can a good work of art be evil? 'Art, Ethics, and Emotion' explores this issue, arguing that artworks are always aesthetically flawed insofar as they have a mor
Artificial Hells
Language: en
Pages: 483
Authors: Claire Bishop
Categories: Art
Type: BOOK - Published: 2012-07-24 - Publisher: Verso Books

DOWNLOAD EBOOK

Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to