Imagining Identity In New Spain

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Imagining Identity in New Spain

Imagining Identity in New Spain
Author :
Publisher : University of Texas Press
Total Pages : 302
Release :
ISBN-10 : 9780292782754
ISBN-13 : 0292782756
Rating : 4/5 (756 Downloads)

Book Synopsis Imagining Identity in New Spain by : Magali M. Carrera

Download or read book Imagining Identity in New Spain written by Magali M. Carrera and published by University of Texas Press. This book was released on 2010-01-01 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. Winner, Book Award, Association of Latin American Art, 2004 Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.


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