Imperialism And Theatre

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Imperialism and Theatre

Imperialism and Theatre
Author :
Publisher : Routledge
Total Pages : 284
Release :
ISBN-10 : 9781134844302
ISBN-13 : 1134844301
Rating : 4/5 (301 Downloads)

Book Synopsis Imperialism and Theatre by : J. Ellen Gainor

Download or read book Imperialism and Theatre written by J. Ellen Gainor and published by Routledge. This book was released on 2003-09-02 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imperialism is a transnational and transhistorical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world theatrical performance has long been a site for both the representation and support of imperialism, and resistance and rebellion against it. Imperialism and Theatre is a groundbreaking collection which explores the questions of why and how the theatre was selected within imperial cultures for the representation of the concerns of both the colonizers and the colonized. Gathering together fifteen noted scholars and theatre practitioners, this collection spans global and historical boundaries and presents a uniquely comprehensive study of post-colonial drama. The essays engage in current theoretical issues while shifting the focus from the printed text to theatre as a cultural formation and locus of political force. A compelling and extremely timely work, Imperialism and Theatre reveals fascinating new dimensions to the post-colonial debate. Contributors: Nora Alter; Sudipto Chatterjee; Mary Karen Dahl; Alan Filewood; Donald H. Frischmann; Rhonda Garelick; Helen Gilbert; Michael Hays; Loren Kruger; Josephine Lee; Robert Eric Livingston; Julie S. Peters; Michael Quinn; Edward Said; Elaine Savory.


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Imperialism and Theatre
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Authors: J. Ellen Gainor
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Type: BOOK - Published: 2003-09-02 - Publisher: Routledge

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Imperialism is a transnational and transhistorical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world
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Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this more true than in the late-19th and early 20th centuries, when it refl
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At the same time, official speeches and proceedings on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves.
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In this study, Gould argues that it was in the imperial capital’s theatrical venues that the public was put into contact with the places and peoples of empire
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The historical age of empires may be over, but empire, as an idea, continues to exercise a hold over our imaginations. This compelling examination of the relati