Medieval Art Architecture And Archaeology In Cambridge

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Medieval Art, Architecture and Archaeology in Cambridge

Medieval Art, Architecture and Archaeology in Cambridge
Author :
Publisher : Routledge
Total Pages : 534
Release :
ISBN-10 : 9781000510768
ISBN-13 : 100051076X
Rating : 4/5 (76X Downloads)

Book Synopsis Medieval Art, Architecture and Archaeology in Cambridge by : Gabriel Byng

Download or read book Medieval Art, Architecture and Archaeology in Cambridge written by Gabriel Byng and published by Routledge. This book was released on 2022-03-09 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a broad array of medieval, and later, buildings and objects in the city and its immediate surrounds, both from archaeological and thematic approaches. In addition, a number of chapters reflect on the legacy and influence medieval art and architecture had on the later city. Along with medieval colleges, chapels, and churches, buildings in villages outside the city are discussed and analysed. The volume also provides detailed studies of some of the most important master masons, glassmakers, and carpenters in the medieval city, as well as of patrons, building types, and institutional development. Both objects and makers, patrons, and users are represented by its contents. The volume sets the archaeological and art historical analysis in its socio-economic context; medieval Cambridge was a city located on major trade routes and with complex social and institutional differences. In an academic field increasingly shaped by interdisciplinary interest in material culture, Medieval Art, Architecture and Archaeology in Cambridge marks a major new contribution to the field, focussing on the complexity, variety, and specificity of the buildings and objects that define our understanding of Cambridge as a medieval city.


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