Popular Magazines And Fiction In Shanghai 1914 1925

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Popular Magazines and Fiction in Shanghai, 1914–1925

Popular Magazines and Fiction in Shanghai, 1914–1925
Author :
Publisher : Rowman & Littlefield
Total Pages : 413
Release :
ISBN-10 : 9781498544795
ISBN-13 : 1498544797
Rating : 4/5 (797 Downloads)

Book Synopsis Popular Magazines and Fiction in Shanghai, 1914–1925 by : Peijie Mao

Download or read book Popular Magazines and Fiction in Shanghai, 1914–1925 written by Peijie Mao and published by Rowman & Littlefield. This book was released on 2021-12-02 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the rise of Shanghai-based popular magazines produced by the “Mandarin Ducks and Butterflies School” in early twentieth-century China. It examines the national, gender, family, and social imaginaries constructed and negotiated through a complex network of relationships between popular writers, magazine editors, and their intended readers, which were represented in various forms of popular narratives, including patriotic stories, war/military stories, family narratives, domestic fiction, utopian writings, and industrial-business stories. The author argues that the national imagination, social ideals, and the notions of ideal womanhood and the new family, were intrinsically linked and integral to the search for cultural identity of the emerging Chinese “middle society” and an expression of their collective sensibilities, experiences, and aspirations. This book suggests that the cultural imaginaries configurated in these magazine stories articulated a shared quest for modernity, one that emphasized sentiment, quotidian experience, the pursuit of the modern family and individual success, strengthening of the nation, and the reinvention of cultural tradition. Popular magazines and fiction, therefore, became uniquely instrumental in catalyzing the process of Chinese modernity, which emerged and developed along the symbiotic interrelations between the private and the public, the traditional and the modern, and the real and the imaginary.


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