Recomposing The Past Representations Of Early Music On Stage And Screen

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Recomposing the Past: Representations of Early Music on Stage and Screen

Recomposing the Past: Representations of Early Music on Stage and Screen
Author :
Publisher : Routledge
Total Pages : 449
Release :
ISBN-10 : 9781351975513
ISBN-13 : 135197551X
Rating : 4/5 (51X Downloads)

Book Synopsis Recomposing the Past: Representations of Early Music on Stage and Screen by : James Cook

Download or read book Recomposing the Past: Representations of Early Music on Stage and Screen written by James Cook and published by Routledge. This book was released on 2018-02-01 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English ‘dramatick opera’). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: ‘Authenticity, Appropriateness, and Recomposing the Past’, ‘Music, Space, and Place: Geography as History’, and ‘Presentness and the Past: Dialogues between Old and New’. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.


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