The Cultural Space Of The Arts And The Infelicities Of Reductionism

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The Cultural Space of the Arts and the Infelicities of Reductionism

The Cultural Space of the Arts and the Infelicities of Reductionism
Author :
Publisher : Columbia University Press
Total Pages : 233
Release :
ISBN-10 : 9780231525374
ISBN-13 : 0231525370
Rating : 4/5 (370 Downloads)

Book Synopsis The Cultural Space of the Arts and the Infelicities of Reductionism by : Joseph Margolis

Download or read book The Cultural Space of the Arts and the Infelicities of Reductionism written by Joseph Margolis and published by Columbia University Press. This book was released on 2010-05-25 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture? How do these realms relate? The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century's best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Noël Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves. Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis's work reestablishes what is essential to a productive encounter with art.


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