The Hamlet Of Edwin Booth

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The Hamlet of Edwin Booth

The Hamlet of Edwin Booth
Author :
Publisher : University of Illinois Press
Total Pages : 382
Release :
ISBN-10 : 0252000196
ISBN-13 : 9780252000195
Rating : 4/5 (195 Downloads)

Book Synopsis The Hamlet of Edwin Booth by : Charles Harlen Shattuck

Download or read book The Hamlet of Edwin Booth written by Charles Harlen Shattuck and published by University of Illinois Press. This book was released on 1969 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: " '...Booth, to a majority of us, is Hamlet,' stated a reviewer in 1890. Thousands of playgoers agreed, and only regretted that Shakespeare himself could not see Booth perform. Booth's Hamlet became a national institution, a legend. He was for America the final major "starring tragedian" of his kind, who brought two centuries of tradition to a culmination and end. Charles Shattuck here presents the complete life of the Hamlet role as Booth played it from 1852, when his famous father told him he looked like Hamlet, to his weary farewell matinee in Brooklyn in 1891. He relates Booth's attempt to find his acting style and establish himself as a star, and observes the personal and intellectual forces which shaped his 'gentle and genteel' conception of Hamlet. The author details the emergence of Hamlet as Booth's acknowledged masterwork, examines his definitive production of the play at his own theater in 1870, and traces the fortunes of Booth's hamlet as it developed, matured, and finally declined. Whenever Booth's critics defined his Hamlet with 'especial acuteness,' Shattuck gives them room to speak, and Booth himself often speaks from those who wish to realize Booth's Hamlet in the 'utmost possible immediacy,' Shattuck presents Charles Clarke's factual and interpretive record of Booth's 1870 performance-scene by scene, word by word, every gesture, expression, and vocal nuance. This engrossing 'reconstruction' helps us 'see' Booth as Hamlet, and almost hear him. Booth's was not the 'psychological Hamlet' of the twentieth century. The essence of his interpretation was Hamlet's resoluteness in minor matters and irresoluteness in major ones. Booth conceived of him as a man of very strong intellect and very weak will, but at no point insane. His intention with Hamlet was not to create mystery, but to dispel it, to make the play 'crystal clear' to evert hearer. There was room in it for heavenly and hellish mystery, but not for the mystery of abnormal behavior, for the emergence of irrational drives from the subconscious. Taken as a whole, this volume is a fascinating study of the tastes and culture of nineteenth-century America, as well as a revelation of the art of a man once considered 'unquestionably the greatest actor...upon the American stage.' "-Charles H. Shattuck.


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