Women Filmmakers In Mexico

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Women Filmmakers in Mexico

Women Filmmakers in Mexico
Author :
Publisher : University of Texas Press
Total Pages : 311
Release :
ISBN-10 : 9780292771093
ISBN-13 : 0292771096
Rating : 4/5 (096 Downloads)

Book Synopsis Women Filmmakers in Mexico by : Elissa Rashkin

Download or read book Women Filmmakers in Mexico written by Elissa Rashkin and published by University of Texas Press. This book was released on 2001-04-15 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women filmmakers in Mexico were rare until the 1980s and 1990s, when women began to direct feature films in unprecedented numbers. Their films have won acclaim at home and abroad, and the filmmakers have become key figures in contemporary Mexican cinema. In this book, Elissa Rashkin documents how and why women filmmakers have achieved these successes, as she explores how the women's movement, film studies programs, governmental film policy, and the transformation of the intellectual sector since the 1960s have all affected women's filmmaking in Mexico. After a historical overview of Mexican women's filmmaking from the 1930s onward, Rashkin focuses on the work of five contemporary directors—Marisa Sistach, Busi Cortés, Guita Schyfter, María Novaro, and Dana Rotberg. Portraying the filmmakers as intellectuals participating in the public life of the nation, Rashkin examines how these directors have addressed questions of national identity through their films, replacing the patriarchal images and stereotypes of the classic Mexican cinema with feminist visions of a democratic and tolerant society.


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Women Filmmakers in Mexico
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Authors: Elissa Rashkin
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Type: BOOK - Published: 2001-04-15 - Publisher: University of Texas Press

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Women filmmakers in Mexico were rare until the 1980s and 1990s, when women began to direct feature films in unprecedented numbers. Their films have won acclaim
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This book highlights the voices and stories of Latin American women directors from Brazil, Chile, Argentina, and Mexico.
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Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucre
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This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film